Santería Garments and Altars Speaking Without a Voice Folk Art and Artists Series Ysamur FloresPeña Roberta J Evanchuk 9781617030673 Books PDF reader NIG

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Santería, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States, Santería has stimulated many publications, but none prior to this book noted the special significance of its art and artists.

In Santería Garments and Altars, for the first time, two distinguished folklorists and practitioners of the faith focus upon the artistry of garments and altars that are intrinsic to the worship. Detailed here is information about their design and creation, the artists who make them, and the importance of aesthetics as text in the religious celebration.

Ysamur Flores-Peña, Roberta J. Evanchuk,Santería Garments and Altars Speaking Without a Voice (Folk Art and Artists Series),University Press of Mississippi,1617030678,Folk Outsider Art,Subjects Themes - Religious,Santeria altars,Santeria vestments,ART / Folk Outsider Art,ART / Subjects Themes / Religious,African American,African Studies,Art,Art Art Instruction,Art/Subjects Themes - Religious,Folk art,Folklore,Folklore; African Studies; Religion,Inspirational/Devotional,Non-Fiction,Religion,SOCIAL SCIENCE / Sociology of Religion,Scholarly/Undergraduate,Social Science/Sociology of Religion,Sociology of Religion,UNIVERSITY PRESS,United States

Santería Garments and Altars Speaking Without a Voice Folk Art and Artists Series Ysamur FloresPeña Roberta J Evanchuk 9781617030673 Books Reviews :

Santería, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States, Santería has stimulated many publications, but none prior to this book noted the special significance of its art and artists.

In Santería Garments and Altars, for the first time, two distinguished folklorists and practitioners of the faith focus upon the artistry of garments and altars that are intrinsic to the worship. Detailed here is information about their design and creation, the artists who make them, and the importance of aesthetics as text in the religious celebration.

Ysamur Flores-Peña, Roberta J. Evanchuk,Santería Garments and Altars Speaking Without a Voice (Folk Art and Artists Series),University Press of Mississippi,1617030678,Folk Outsider Art,Subjects Themes - Religious,Santeria altars,Santeria vestments,ART / Folk Outsider Art,ART / Subjects Themes / Religious,African American,African Studies,Art,Art Art Instruction,Art/Subjects Themes - Religious,Folk art,Folklore,Folklore; African Studies; Religion,Inspirational/Devotional,Non-Fiction,Religion,SOCIAL SCIENCE / Sociology of Religion,Scholarly/Undergraduate,Social Science/Sociology of Religion,Sociology of Religion,UNIVERSITY PRESS,United States

Santería Garments and Altars Speaking Without a Voice (Folk Art and Artists Series) [Ysamur Flores-Peña, Roberta J. Evanchuk] on . Santería, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States

 

Product details Series Folk Art and Artists Series Paperback 74 pages Publisher University Press of Mississippi (January 19, 2011) Language English ISBN-10 1617030678

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